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Vol.65  No.1  2019

From Whizzoh to Bollocks: The Exclamatory Language of Moral Collapse in Lord of the Flies 
Kenneth Eckert
JELL 65(1) 3-18, 2019
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The Interactive Reader, or: The Writeable in Narrative Texts 
Barbara Puschmann-nalenz
JELL 65(1) 19-48, 2019
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Auctoritas and Sovereignty in Julius Caesar 
Jaecheol Kim
JELL 65(1) 49-70, 2019
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Recollection of Memory and Stupidity of Love in Julian Barnes’s The Sense of an Ending 
Sunhwa Park
JELL 65(1) 71-85, 2019
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The Narratives of Traumatic Memory, Amnesia, and Healing: Focused on Slaughterhouse-Five & In the Lake of the Woods 
Jung-hoon Jang
JELL 65(1) 87-109, 2019
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Desire, Affect, and Becoming: A Deleuzian Reading of A Streetcar Named Desire 
Seokhun Choi
JELL 65(1) 111-126, 2019
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Traveling as the “Art of Thinking” in Mary Wollstonecraft’s Letters Written during a Short Residence in Sweden, Norway, and Denmark 
Ja Yun Choi
JELL 65(1) 127-144, 2019
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Queer Relations between the American Dream and Postcolonial Resistance in The Reluctant Fundamentalist (2007) 
Jina Moon
JELL 65(1) 145-165, 2019
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“Continuous Performance”: Silent Film and Plebeian Spectatorship in Dorothy Richardson’s Film Writing, 1927-1933 
Boosung Kim
JELL 65(1) 167-183, 2019
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Our Nonhuman Story: The Posthuman Reality Imagined in Mary Shelley’s Frankenstein (1818) 
Inhye Ha
JELL 65(1) 185-201, 2019
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