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Vol.66  No.3  2020

Biopolitics in A Journal of the Plague Year 
Jaecheol Kim
JELL 66(3) 421-437, 2020
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The Implosion of Irish Elegy: Paul Muldoon’s “The More a Man Has, the More a Man Wants” 
Yeonmin Kim
JELL 66(3) 439-461, 2020
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The Power of Absence: Derrida, Lao Tzu and Shelley’s “To A Skylark” 
Ning Yizhong
JELL 66(3) 463-481, 2020
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The Sham and the Fanatic: Conrad’s Anarchists in “Ironic,” “Desperate,” and Simple Tales 
Hye Ryoung Kil
JELL 66(3) 483-502, 2020
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Language, Gesture, and the Task of Theatre: András Visky’s Dramaturgical Ethics 
Jeremy D Knapp
JELL 66(3) 503-521, 2020
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Be My Boy: Polly Milton’s Female Empowerment and Marginalized Masculinities in Louisa May Alcott’s An Old-Fashioned Girl 
Hera Kim
JELL 66(3) 523-540, 2020
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The Sound of Silence: The Idea of Pure Language in W. S. Merwin’s Later Poetry 
Haram Lee
JELL 66(3) 541-564, 2020
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Audre Lorde’s Zami: A New Spelling of My Name as an Autoethnography 
Meeyoung Kang
JELL 66(3) 565-583, 2020
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