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Vol.54No.32008
“Chutnificating” National Allegory: Rushdie`s Midnight`s Children
The Crisis of Higher Education in Transnational Corporatism: David Mamet`s Oleanna
Maternity and Identification in Margaret Atwood`s Poetry Collection Two-Headed Poems
Maximal and Non-maximal Distributivity
Re-Reading Clarissa and Clarissa: Interpretations of "Virtue" at War
The Scarred Women of Color Between Two Worlds in Edwidge Danticat`s Breath, Eyes, Memory
The Sign of Four and Victorian Urban Spectatorship