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Vol.65No.12019
From Whizzoh to Bollocks: The Exclamatory Language of Moral Collapse in Lord of the Flies
The Interactive Reader, or: The Writeable in Narrative Texts
Auctoritas and Sovereignty in Julius Caesar
Recollection of Memory and Stupidity of Love in Julian Barnes’s The Sense of an Ending
The Narratives of Traumatic Memory, Amnesia, and Healing: Focused on Slaughterhouse-Five & In the Lake of the Woods
Desire, Affect, and Becoming: A Deleuzian Reading of A Streetcar Named Desire
Traveling as the “Art of Thinking” in Mary Wollstonecraft’s Letters Written during a Short Residence in Sweden, Norway, and Denmark
Queer Relations between the American Dream and Postcolonial Resistance in The Reluctant Fundamentalist (2007)
“Continuous Performance”: Silent Film and Plebeian Spectatorship in Dorothy Richardson’s Film Writing, 1927-1933
Our Nonhuman Story: The Posthuman Reality Imagined in Mary Shelley’s Frankenstein (1818)