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Vol.68No.22022
Queer Feminist Excess in the Acoustics of Gertrude Stein’s Literary Portraits
Telescopic Eyes: the Seashore, (Im)mobility, and Connectedness in Sylvia’s Lovers
What Poetry Can Do for the World: The Case of John Keats’s The Fall of Hyperion and Lamia
An Afflicted Black Mother and the Paradox of the Sonnet in Gwendolyn Brooks’ “the children of the poor”
The Ecopoetics of Jorie Graham: Lyric Engagement with the Material World
Autobiographical Temporality and the (Un)Making of Blackness in The Autobiography of an Ex-Colored Man
Autism, Posthumanism, Becoming Nonhuman: Temple Grandin’s Thinking in Pictures
A Relational Bildungsroman: A Refugee Girl’s Narrative of Subject Development in A Teaspoon of Earth and Sea
Louise Glück’s Poetics of Becoming, Survival as Abject: Rethinking Ethics of Ecopoetry
루이즈 글릭과 ‘되기’의 시학, 비체로 살아남기 ― 생태시의 윤리를 다시 생각하며
The Ethics of Sympathy and the Aesthetics of Spatial Composition in Middlemarch by George Eliot
공감의 윤리와 공간 구성의 미학 ―조지 엘리엇의 『미들마치』를 중심으로
The Perception of Time in Bleak House: The Effect of “Memory-Images” on the Present
『블릭 하우스』에 나타난 시간 인식 ―“이미지-기억”이 현재에 미치는 영향
Vulnerability and the Failures of Compassion in Stephen Crane’s Maggie
취약성과 연민의 실패: 스티븐 크레인의 『매기』
Flip White Narratives Around the Indian Way: Meta-theatrical Strategy in a Native American Drama Foghorn
백인의 서사, 인디언 방식으로 뒤집기: 아메리카 원주민 드라마 『포그혼』의 메타적 무대 전략